2011年8月12日星期五

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2011年8月11日星期四

People news from DraftFCB SF, Gartner and more

DraftFCB San Francisco has named Chris Ford as chief creative officer. Ford will be charged with leading the agency's creative department that spans San Francisco and an office in Seattle. He was most recently with Ogilvy & Mather Sydney as executive creative director. Prior to that, he spent 11 years at Goodby Silverstein & Partners, working his way up from a senior copywriter to group creative director, developing campaigns for clients such as Comcast, Saturn and TiVo. Ford's career also includes work at Chiat/Day in New York, JWT in San Francisco and Wolfe/Doyle in San Francisco. He has won awards including Cannes Lions, One Show Pencils, D&AD Pencils and Clio Awards, and also wrote and directed the 2008 independent film The Village Barbershop starring Cheers actor John Ratzenberger.

Gartner has signed director Benjamin Lee Gordon for exclusive US general market spot representation. Gordon's notable work includes We Are Far Away, We Need to Shout Louder for the Barcelona River Plate Fan Club ( DraftFCB), and a project that led to Seat's Express Yourself launch for the Ibiza ST model (Atletico International). He has also directed spots for Nike, Nokia, Brugal Rum, Ford and music app Shazam, as well as short films.

BigSmack, the Philadelphia creative agency and entertainment marketing company led by Andy Hann, has appointed Andrew Kobliska as head of marketing & business development. Additionally the company has opened a New York City office, based in the Flatiron creative district, and relaunched its website. Kobliksa and Hann worked together previously in the mid 1990s at the Los Angeles-based creative boutique SMOG, which Kobliska co-founded, and later at entertainment marketing agency Pittard Sullivan where their team created and managed the launch of the Fox Family Channel, Game Show Network and Fox Kids International. Kobliska also served as the president of Entertainment at IF! International and as president of the Entertainment Division at Vagrant Records before joining DIRECTV as executive director of creative services and On-Air in 2004.

Omnicom digital marketing agency Critical Mass has appointed Christine Bridger as vice president, creative at its Chicago office. Prior to joining Critical Mass, she worked at digital agencies including Razorfish and Digitas, and has over 12 years of experience in creating digital experiences for brands such as Best Buy, AT&T, JCPenney, Nestle, Kraft, 20th Century Fox and Proctor & Gamble.

Atlanta agency Fitzgerald & Co has made three new creative hires, appointing Marc Linveldt as executive creative director and Mitch Bennett and Wes Whitener creative directors. Linveldt is a former regional creative director for Saatchi & Saatchi Middle East North Africa (MENA), and has won 11 Cannes Lions, multiple OneShow pencils and Clio statues for his creative work for Sony, Mont Blanc, Levi's and BMW. Bennett was most recently with Crispin Porter + Bogusky and worked with Whitener as a team at McKinney + Silver, developing campaigns for Southwest Airlines, Goodyear, Sony, Travelocity and McDonald's, and at GSD&M. The hires were made by chief creative officer Noel Cottrell, who joined the agency six months ago from Grey New York.

Sonzero Films has signed with New York boutique talent management agency House of Cards for East Coast representation. Global beauty director Jim Sonzero has worked for many New York-based beauty brands including L'Oreal, Garnier, Revlon and Maybelline. He recently directed a series of spots for Neutrogena and New York agency Roberts + Langer DDB starring Hayden Panettiere and Emma Roberts.

Short Films has signed fashion and beauty director Giles-Lovell Wilson for commercial representation. Wilson has directed commercials for the likes of Olay, Max Factor and Galaxy, as well as recent spots for Falabella and The English National Ballet.

2011年8月10日星期三

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2011年8月8日星期一

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2011年8月7日星期日

Dealer posts his stamp of endurance

CITY stamp dealer Max Stern has chosen the date for his retirement. "February 38th," he says with a chuckle. That's right, although he is approaching his 91st birthday, Stern is enjoying work too much to stop now. "Look at this," he says in excitement, showing me a stamped envelope an elderly lady brought in the other day. It carries the name and logo of the Singer Sewing Machine Company and in 1927 it carried a receipt to "Mrs Beatrice Williamson" in Tasmania. "Never seen one of these before," he says. "Not of great value but very interesting."
Among a cluster of certificates and awards on Stern's office wall is a "platinum" citation from the lord mayor recognising his 58 years as a Melbourne city retailer. But we are talking here of former lord mayor John So - the platinum gong is five years old. Stern has now been 63 years at the helm. "The oldest original trader in the city," he says proudly. His first stamp shop was in the Empire Arcade, opposite Flinders Street Station, then, in Melbourne's Olympic year of 1956, he moved to the Port Phillip Arcade nearby, where he has been ever since. Despite new technology's king-hit on the world's postal services, Stern's business continues to boom, now occupying multiple arcade shops and a second floor.
It was back in Bratislava, Czechoslovakia, where he was born, that this lifelong love of stamps and coins began. His father, Moses, a haberdasher, bought him an illustrated Schaubek stamp album for his bar mitzvah. "It became a challenge to find the right stamps to fill the pages," says Stern. "In those days, you didn't look at the value, you just wanted stamps from as many different countries as possible." It became his career after March 1938, when the Nazis invaded Austria. Stern had been studying engineering in Vienna. "The Germans invaded on a Friday," he recalls, "and I went home to Bratislava on the Saturday. That was end of my engineering studies."

2011年8月3日星期三

Medford teen lost on Mount McLoughlin

As many as 70 emergency, law enforcement and search and rescue volunteers and professionals are on the hunt for a 17-year-old Medford boy who went missing on Mount McLoughlin during a hike with his church group Tuesday afternoon.
Max Burleigh was hiking with a group of eight other people when he got separated from them. He spent an hour or so trying to find them again before calling emergency services on his cell phone.
Search and rescue teams from Jackson, Josephine, Siskiyou, Klamath and Lake counties are participating in the search, along with air support and Jackson County SWAT team members.
They searched through the night to find him and continued their search this morning. Max does not have food or water and is wearing black and white plaid shorts, a blue T-shirt, gray sweatshirt and tennis shoes, a news release said.
Max has been in contact with his mother a few times on his phone through text messages and calls.
He has texted a picture of his location so emergency officials can narrow their search, said Lt. Pat Rowland, who head the Jackson County Search and Rescue team.

2011年8月1日星期一

Texas high school football players, bands feel the heat

In 44 years of coaching Texas high school football, G.A. Moore has shed gallons of sweat leading countless preseason practices.

Yet on Monday morning, when the breeze died and the air grew still around the Class 2A Aubrey Chaparrals, Moore never felt hotter.

"Almost unbearable," said Moore said, the winningest high school coach in Texas history with 422 victories. "You almost had to shut it down."

Monday was the first day of practice for the 2011 season for hundreds of Texas high school football teams and marching bands even as temperatures pushed well over 100 degrees in some areas of the state.

The National Weather Service issued an excessive heat warning for much of North and Central Texas with highs expected to climb near 110 by Thursday.

Even by Texas standards, this heat wave is a doozy.

In Aubrey, about 40 miles northwest of Dallas, Moore sent the Chaparrals out for a 7 a.m. workout to beat the heat. After a break, they squeezed in another practice before noon before calling it a day.

"This seems to be as hot as I can ever remember," Moore said. "We can't work out in the afternoon at all."

But over in nearby Celina, coach Butch Ford had his team on the field at 8 a.m. and again at 2 p.m. The team took several breaks and water was always available to any player who wanted or needed it, Ford said.

"In Texas, there's no beating the heat, you just have to adjust to it," Ford said. "On Friday night in August and September, it's going to be a scorcher."

Marc Powell, an athletic trainer at Trinity University in San Antonio. Powell lectured coaches on how to watch for signs of heat stress last week at the Texas High School Coaches Association annual convention in Fort Worth. Coaches were encouraged to keep water and wet towels on hands at all times, to give frequent breaks and closely monitor players for any signs of a problem.

"The awareness level is pretty high," Powell said. "The days of no water at practice and those kinds of things have gone by the wayside"

Getting athletes adjusted to the heat in summer workouts before the start of preseason training camps is important, Powell said. Athletes who spent their summer working out outside will be better suited for the extreme heat.

"The kid who spent the whole summer inside watching television" could have a problem, Powell said.

That's become a bigger issue for coaches over the years, Moore said.

"Thirty or 40 years ago, we didn't worry about the heat because the kids were out hauling hay or working in the fields all summer. I think it's changed a little bit," Moore said.

The University Interscholastic League, the governing body for Texas high school sports, limits preseason practice to five hours per day total during two-a-days with no session longer than three hours. Players must get at least one hour's rest between workouts. The National Athletic Trainer's Association recommends three hours between workouts.

It's not just athletes feeling the heat.

Marching bands that perform the halftime shows cranked up their practices on Monday as well. The problem for them can be finding a place to do it. Schools typically don't want the band tearing up the grassy football field, often sending the band to that other area of large, flat and open piece of school property: the parking lot.

"It's nasty out there," said Alan Guckian, band director at Eastside Memorial in Austin. "I've seen kids' shoes melt in the blacktop."

Guckian at least has an alternative. Because his band is small, he can practice in the school gym. But bands that approach hundreds of students can't move in such a small space and have no choice but to march on the searing hardtop.

A lot of schools will hold practice early in the morning or late in the evening, Guckian said.

Practices are more strenuous than most people realize, with students running in formation and carrying instruments, Guckian said. Like football coaches, band directors have to make sure water is on hand and keep a lookout for signs of illness.

"Lots and lots of water, lots of breaks," Guckian said. "If you don't, kids will pass out left and right."